a écrit le 5 novembre 2009 à 18h32 @ Carmelo junior (cam-mar jj-9) (Douala,fès ) le 05/11/2009 à 19:23
Richard Bona: The Ten Shades of Blues
Not many musicians turn up at elite jazz clubs as well as the Womad bandstand. Richard Bona’s virtuoso bass-playing — mixing Pastorius-like legerdemain with melodic echoes of Cameroon — has provoked no end of wistful sighs from his peers over the past decade. The gentle beat of Shiva Mantra sets the tone on an FM airplay-friendly disc that roams over the landscape of Asia and Africa and displays slick footwork on a north American dancefloor. Compared with the wanderings of his old friend the late Joe Zawinul, the results are a little sugary. Still, Bona proves that African music doesn’t have to confine itself to the desert hinterlands. The blues are a universal language.
Richard Bona: The Ten Shades of Blues
Not many musicians turn up at elite jazz clubs as well as the Womad bandstand. Richard Bona’s virtuoso bass-playing — mixing Pastorius-like legerdemain with melodic echoes of Cameroon — has provoked no end of wistful sighs from his peers over the past decade. The gentle beat of Shiva Mantra sets the tone on an FM airplay-friendly disc that roams over the landscape of Asia and Africa and displays slick footwork on a north American dancefloor. Compared with the wanderings of his old friend the late Joe Zawinul, the results are a little sugary. Still, Bona proves that African music doesn’t have to confine itself to the desert hinterlands. The blues are a universal language.
